The Third Lesson
Pakhair!
The first two lessons were the basics. You need to be really
good at them to progress further and start making music as you feel like. It
will also help you identify notes when listening to a particular tune and
replay it on your own.
Moving to the third lesson in the series, it is a kind of
sequel to the first lesson with some improvisations to provide us with a
variety.
There are 2 parts to this lesson so I’ll go one by one. The
first part consists of playing lesson one with two strums for each note, hence
it will go like:
SaSa ReRe GaGa
MaMa PaPa DhaDha
NiNi Sa’Sa’
NiNi DhaDHa
PaPa MaMa GaGa
ReRe SaSa
The second part improvises on the previous part and
introduces three strums for each note like:
SaSaSa ReReRe GaGaGa
MaMaMa PaPaPa DhaDhaDha
NiNiNi Sa’Sa’Sa’
NiNiNi DhaDHaDha
PaPaPa MaMaMa GaGaGa
ReReRe SaSaSa
The fun part is this varying the timing of the strokes for
any of the above two parts gives a different sound and feeling. The second part
of this lesson also helps in developing the continuing effect while playing the
Rabab.
The link to the practical demonstration of the above two
parts is given below:
At this point of time you will be able to move your fingers
on the fret board quite easily which will pace up your learning curve.
As the Rabab is a traditional instrument, mostly played in
the North West region of Pakistan, playing it for Pashto music is easier
compared to western music. Therefore, you can watch, hear and try to play some
tune from the Youtube. I’ll share tuning the Shahtaar and Buchi strings
in the next lesson.
Till then Khuday Pa Amaan!
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